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Corsair

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Corsair

"Corsair" is basically a rehearsal recording with my band " Ninth", with some extra rhythm guitars and vocals, for polish. But no hits or tones have been reorganized or removed. 

It's of course, quite practical to rehearse in a recording studio, and many grooves have been captured coincidentally because of this. Several released songs includes elements of the very first ever, run through of the song, in the mix. 


The best pictures are never taken, this can also be true with music; the exciting stuff often lies in the unpredictable and uncritical moments, which mostly happens spontaneously. For this reason, I tend to record  most rehearsals, but then again, I generally never listen to them. 

Improvisation has always been a central part of my musical life. In somewhat contrast to the music production side, which demands a lot of analysis. Many songs just don't have a strict form, but lives on their own, and changes over time. Corsair is one of these songs.

This recording is kind of special, as it was played with a pretty clean (single coil) guitar. 
Which have an impact on, where we go with the improvisation. We usually played it with more heavily distorted guitars, then what is present on this particular recording. 

I've included a video with snippets from a tour we did in China, (with my band "Ninth"), which highlights some improvisations. On these tours you only bring your guitar, and play on whatever equipment they might have at the venue,  (sometimes they have nothing)
And it's particularly fun when it comes to the improvisation parts of the show, as you can play the equipment for what it's worth and get maximum performance out of it. 

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Shift

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Shift

This song was performed regularly on live shows, with my band “Woo” for several years.
Actually, most memories I have  of this song, takes me back to performing it on stage. 
Therefore I found it fitting to use an actual live recording as basis for the production. 
That was the atmosphere I wanted for this track, and most of the sounds are from that live recording.

With me on the session:
Geir Arne Ose: Drums

 

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I Went

I Went

"I Went" was recorded live with my band "Ninth", with Bjørn Tore Kronen Taranger on drums. 

The recording is totally raw, and no edits or "studio magic" has been used.
Most of the sound comes from the drum microphones picking up the guitar.
The instrumentation is simple:
Drums, guitar and Rhodes. But, there is an overdubbed acoustic and electric guitar playing through the arrangement along with the original.

The first draft I made for this song was an industrial electronic upbeat arrangement in the key of E major.
This version (F minor, free time) is probably more inspired by my Motown/Stax upbringing. I grew up with all that stuff (in the house, not in the times though;)  and I wanted to keep "production values"  back in the 60's for this song. 

I think people underestimate R&B from the old times.
I can't stand the 80's slap stuff, or the pop/fusion funk stuff. I can't say that I'm particularly fond of modern R&B (pop) either, I find it way too "homogenized". 

But I just love the attitude, creativeness and feel from those early records and use it shamelessly wherever I want, on my tracks.

It was a time when R&B, Funk and Soul music was three sides of the same story. 

 

On the session with me:
Bjørn Tore Kronen Taranger: Drums  

 

Sensual Soirée

Sensual Soirée

"Sensual Soirée" was written in the summer of 1992, though much of the song is improvised. 


It was written as a live piece and was meant to change and evolve during concerts. 

It was recorded at a live show in 2000.

Improvised vocals from singer Stig Sandbakk was also a common (and effective) part of the live shows at the time. They are not included here, as they're not part of the original composition and thought. 

"Sensual Soirée"  is an instrumental and improvisational piece that belonged to the stage. 

Recorded by Erik Valderhaug at Lydkjelleren AS


 

Performing in Oslo.

From right: Stig Sandbakk and Geir Satre

Photo: Jakob Berg